● On view now — Gallery 205
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Sandro Botticelli’s works mark the culmination of a mystical religious tradition in the art of early Renaissance Florence, from the paintings of Lorenzo Monaco and Fra Angelico through those of Fra Filippo Lippi, Botticelli’s teacher. In this lyrical late work by Botticelli, two angels draw back curtains to reveal the Virgin and Child, who are framed by slender trees in a setting suggesting a throne. The intimate presentation of the holy figures and Christ’s gesture of blessing suggest that this small painting served a private devotional function. This supposition is supported by the choice of format, since a Florentine patron would have typically commissioned a circular painting, or tondo, for use in a bedchamber.
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Master of the Holden Tondo (Italian) — Virgin and Child with
Jacopo di Arcangelo (called Jacopo del Sellaio) — The Virgin
Cosimo Rosselli — Madonna and Child with Two Angels
Andrea del Verrocchio — Madonna and Child
Francesco Botticini — Virgin and Child with Two Angels
Piero di Cosimo — Virgin and Child with the Young Saint John
Sandro Botticelli (Italian, 1444/45–1510) — Virgin and Child
Vincenzo Frediani — The Adoration of the Christ Child
Francesco Botticini (Italian, c. 1446–1497) — Madonna and Ch
Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) — Madonna Ador
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) — Madonna
Fra Filippo Lippi (Italian, c. 1406–1469) — Virgin and Child