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Goya

Spanish, Fuendetodos 1746–1828 Bordeaux · 409 works on DiscoverArt

Works

Thérèse Louise de Sureda
Thérèse Louise de Suredac. 1803/1804
María Luisa of Parma (1751–1819), Queen of Spain
María Luisa of Parma (1751–1819), Queen of Spain
Portrait of Francisca Vicenta Chollet y Caballero
Portrait of Francisca Vicenta Chollet y Caballero1806
A City on a Rock
A City on a Rock
José Costa y Bonells (died l870), Called Pepito
José Costa y Bonells (died l870), Called Pepito● On view · Gallery 641
The Third of May 1808
The Third of May 18081814
Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796)
Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia (1756-1796)1795
Narcisa Barañana de Goicoechea
Narcisa Barañana de Goicoechea● On view · Gallery 641
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)● On view · Gallery 641
Ferdinand VII (1784–1833), When Prince of Asturias
Ferdinand VII (1784–1833), When Prince of Asturias● On view · Gallery 641
The Hanged Monk
The Hanged Monk1810
Bartolomé Sureda y Miserol
Bartolomé Sureda y Miserolc. 1803/1804
Sebastián Martínez y Pérez (1747–1800)
Sebastián Martínez y Pérez (1747–1800)● On view · Gallery 641
Friar Pedro Binds El Maragato with a Rope
Friar Pedro Binds El Maragato with a Rope1806
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Condesa de Altamira and Her Daughter, María Agustina
Condesa de Altamira and Her Daughter, María Agustina● On view · Gallery 958
Manuel Osorio Manrique de Zuñiga (1784–1792)
Manuel Osorio Manrique de Zuñiga (1784–1792)● On view · Gallery 641
Señora Sabasa Garcia
Señora Sabasa Garciac. 1806/1811
María Teresa de Borbón y Vallabriga, later Condesa de Chinchón
María Teresa de Borbón y Vallabriga, later Condesa de Chinchón1783
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Wrests the Gun from El Maragato1806
Don Bernardo de Iriarte (1735–1814)
Don Bernardo de Iriarte (1735–1814)
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers● On view · Gallery 641
Majas on a Balcony
Majas on a Balcony● On view · Gallery 641
Winter Scene
Winter Scene1786
Victor Guye
Victor Guye1810
The Marquesa de Pontejos
The Marquesa de Pontejosc. 1786
Young Lady Wearing a Mantilla and Basquina
Young Lady Wearing a Mantilla and Basquinac. 1800/1805
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
El Maragato Threatens Friar Pedro de Zaldivia with His Gun1806
Portrait of Isidoro Maiquez
Portrait of Isidoro Maiquez1807
Friar Pedro Shoots El Maragato as His Horse Runs Off
Friar Pedro Shoots El Maragato as His Horse Runs Off1806
Bullfight in a Divided Ring
Bullfight in a Divided Ring● On view · Gallery 641
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Clubs El Maragato with the Butt of the Gun1806
Portrait of the Duke of Roca
Portrait of the Duke of Roca1795
Bullfight, Suerte de Varas
Bullfight, Suerte de Varas1824
Don Antonio Noriega
Don Antonio Noriega1801
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect● On view · Gallery 641
Portrait of the Marquesa de Santiago
Portrait of the Marquesa de Santiago1804
Portrait of General José Manuel Romero
Portrait of General José Manuel Romero1810
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun1806
Boy on a Ram
Boy on a Ram1786
Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album 'B'
Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album 'B'1796–97
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (post the first edition published in 1864)
Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album 'B'
Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album 'B'1795–97
Portrait of a Young Man
Portrait of a Young Manca. 1820
Self-Portrait in a Cocked Hat
Self-Portrait in a Cocked Hatca. 1790
'Generosity versus Greed', a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album 'B'
'Generosity versus Greed', a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album 'B'1796–98 (possibly later)
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)ca. 1819–23
'Barbarous Entertainment', a blind guitarist on the horns of a bull
'Barbarous Entertainment', a blind guitarist on the horns of a bull1800–1804 (published 1828–67)
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album 'B'.
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album 'B'.1795–97
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810 (published 1863)
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)1810 (published 1863)
A man on the ground drinking from a wine skin; folio 63 from the Images of Spain Album 'F'
A man on the ground drinking from a wine skin; folio 63 from the Images of Spain Album 'F'ca. 1812–20
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)ca. 1815–19 (published before 1877)
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)1810 (published 1863)
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities)
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)1799
Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)
Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)ca. 1810 (published 1863)

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