● On view now — Gallery 208
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Abraham Janssens, Peter Paul Rubens's major competitor in Antwerp in the 1610s, produced monumental paintings of mythological and secular subjects. Influenced by his five-year stay in Rome, he injected his paintings with recognizable quotations from ancient sculpture and Italian Renaissance painting. This scene of Venus reprimanding the visibly annoyed Jupiter on Mount Olympus is a direct reference to a composition by the Italian artist Raphael on the ceiling of the Villa Farnesina in Rome. Janssens, however, enhanced the power and dynamism of the figures by emphasizing their musculature and working on a larger scale.
Be the first to share your thoughts.
Sign in to join the discussion.
Alessandro Turchi — Judgment of Paris
Johann Michael Rottmayr — Mercury rescues the disguised Io a
Domenico Tintoretto — Venus and Mars with Cupid and the Thre
Andrea Schiavone (Andrea Meldola) — The Marriage of Cupid an
Abraham Bloemaert — Moses Striking the Rock
Johann Michael Rottmayr — Diana and Endymion
The Contest between Apollo and Pan
Johann Michael Rottmayr — Apollo Granting Phaeton Permission
Peter Paul Rubens — Venus and Adonis
Guercino (Giovanni Francesco Barbieri) — Samson Captured by
anonymous — The Induction of a New Member into the Band of N
Johann Liss — The Temptation of Saint Mary Magdalen