Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Claude Gillot mocked the sanctity of marriage with this pastoral scene, part of a curious series on the life of satyrs. The text beneath describes the rite as a “Sad feast! in which love finds its entombment.” Apart from the oversized reading glasses on the presiding priest, the participants are surprisingly well behaved and straitlaced, considering the mythological creatures’ legendary appetite for lust. Indeed, the print connoisseur and dealer Pierre-Jean Mariette found the iconography of this group of Gillot’s prints particularly innovative.
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Claude Gillot|Jean Audran — The Marriage (Le Mariage): in a
Claude Gillot|Jean Audran — The Birth (La Naissance): in a f
Claude Gillot|Jean Audran — The Education (L'Education): in
Jacopo Guarana — The shepherd Paris sitting on the right, ho
Gabriel Jacques de Saint-Aubin — Laban Searching for his Hou
Claude Gillot|Jean Audran — The Passion for Love
Bartolomeo Pinelli — Telemachus Battles the Lion, from The A
Pietro Testa|Giovanni Giacomo De Rossi — An allegory of pain
Pietro Testa — Venus and Adonis
Jacques Callot — Attack on the Coach, plate eight from The M
Claude Gillot|Jean Audran — The Passion for Wealth
Pierre Parrocel — Garden Party