Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
While artists often portrayed the Virgin lamenting her son’s suffering in Passion cycles, Daniel Hopfer I’s visionary image depicts the Virgin sobbing before Christ’s betrayal, scourging, and crucifixion. Knowing her son will die a gruesome death, she feels physical pain at his departure. Hopfer literally depicted the Virgin’s heart-wrenching pain as the hilt of a sword projecting from her chest. This rugged etching pitilessly shows an aged Virgin clinging to her grown son as tears roll down her face.
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Daniel Hopfer (German, c. 1470–1536) — Christ Taking Leave o
Hendrick Goltzius — The Adoration of the Magi, plate five fr
Abraham Waesberge|Albrecht Dürer — Engraved copies of The Li
Giuseppe Maria Mitelli|Ludovico Carracci|Gioseffo Longhi — P
Christoffel van Sichem, II — Adoration of the Magi
Master S — Lamentation Over Christ
Lucas van Leyden — The Adoration of the Magi
Albrecht Dürer — The Deposition, from The Large Passion
Marcantonio Raimondi|Albrecht Dürer — Joachim embracing Sain
Albrecht Dürer — Agony in the Garden, from The Engraved Pass
Hendrick Goltzius — The Circumcision, from The Birth and Ear
Hendrick Goltzius — Christ Before Caiaphas, from "The Passio