● On view now — Collection Gallery, Room 12, West Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
The unnamed sitter of Woman in a Red Blouse with Tulips sits in a room furnished with yellow curtains, a purplish floral carpet, and a bouquet of tulips on a side table. She gazes toward the viewer through luridly shaded eyes. In composing this scene, Glackens was inspired by the patterned background, translucent brushstrokes, and exposed canvas in a portrait by Cézanne of his wife (c. 1886, purchased by Albert Barnes in 1912 and now at the Detroit Institute of Arts). In addition, Glackens adapted the flat and primarily decorative passages of bright colors from paintings by Matisse. Glackens's borrowing from French modernist prototypes highlights his efforts to modernize American painting, a mission also championed by his friend Dr. Barnes.
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Pierre-Auguste Renoir — Woman in Muslin Dress (Femme en robe
Henri Matisse — Interior with Seated Figure
Amedeo Modigliani — Portrait of the Red-Headed Woman (Portra
Jules Pascin — Seated Figure (Jeune fille assise)
Alfred Maurer — Figure on Bench
Alfred Maurer — Head: Number Three
Isaac Israels — Portrait of a Woman
Henri Matisse — Red Rug (Le tapis rouge)
Pierre-Auguste Renoir — Young Woman in Blue, Bust (Jeune fem
Pierre-Auguste Renoir — Woman Daydreaming (Rêveuse)
Jules Pascin — Seated Girl in Chemise (Jeune fille assise en
Pierre-Auguste Renoir — Woman with Fan (Femme à l'éventail)