Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This panel was probably part of an altarpiece dedicated to the Holy Cross, a relic that was much venerated in the Middle Ages. Through repeated retelling, its story took on some of the qualities of a chivalric romance. That story included the adventures of the Byzantine emperor Heraclius, who rescued the True Cross and returned it to Jerusalem after its capture by Chosroës, king of Persia. Here Heraclius defeats a king who is probably meant to be the son of Chosroës. The emperor can be identified by the closed imperial crown that caps his helmet, the double-headed eagle symbol on the trumpet and the trappings of his followers’ horses, and the fact that he is about to behead his opponent. This exciting narrative provides an excuse for a vivid display of armor and weaponry.
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Master of Rhenen — Het beleg van Rhenen
Master MZ (German) — The Great Tournament: Munich
Albrecht Dürer (German, 1471–1528) — The Large Passion: The
Lucas Cranach the Elder — The Crucifixion
Wolf Traut (German, c. 1486–1520) — First Flemish Rebellion
Albrecht Dürer (German, 1471–1528) — Knight, Death, and the
Albrecht Dürer — The Betrayal of Christ, from "The Large Pas
Hans Burgkmair|Jost de Negker|Marx Treitz-Sauerwein von Ehre
Albrecht Dürer — Knight and Landsknecht
Bernardo Parentino (Italian) — Procession of the Magi
Leonhard Beck (German, c. 1480–1542) — The Battle Against th
Master of the Antwerp Adoration Group — King David Receiving