Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This is one of only six experiments by Dürer in the early art of etching and, reflecting the roots of that technique in armor decoration, is made on an uncompromising iron (rather than copper) plate. The composition, with its insistent linear background competing with the calligraphic freedom of the principal figures, represents Dürer's most mature printmaking style and his efforts to achieve an overall tonal unity.
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Hieronymous Hopfer — Abduction of Proserpine on a Unicorn
Albrecht Dürer (German, 1471–1528) — The Abduction on a Unic
Lucas Cranach the Elder — Adam and Eve in Paradise
Marcantonio Raimondi (Italian, 1470/82–1527/34) — Neptune Ca
Marcantonio Raimondi — A satyr carrying a nymph on his back
Lucas Cranach the Elder — The Fall of Man
Nicolas Beatrizet — The Fall of Phaeton
Antonio Tempesta — Nessus attempting to take Dejanira from H
Hendrick Goltzius — The Dragon Devouring the Companions of C
Simone Cantarini (Italian, 1612–1648) — The "Quos Ego"
Antonio Tempesta — Hercules and Achelous: at center Hercule
Gabriel Salmon — The Labors of Hercules: Hercules Capture of