Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Shakespeare’s tragic tale of the Moorish general Othello, his bride, Desdemona, and the scheming Iago explores the timeless themes of racism, love, jealously, and betrayal. The play had gained considerable popularity in France by 1844. Though little is known of the specifics of this particular commission, it was a project that captivated Théodore Chassériau for years. These two prints, from Chassériau’s series of 15 plates, illustrate the emotional crescendo of Desdemona and Othello’s relationship. Plate 9 tenderly represents Desdemona’s despair when she sings the Willow Song. Her words—“Let nobody blame him; his scorn I approve”—are prophetic. Later, convinced of her infidelity, Othello smothers her with a pillow. Plate 14 shows the moment Emilia tells Othello of Desdemona’s innocence and Iago’s treachery. Chassériau’s use of gesture links the three central characters in a dramatic pyramidal composition that conveys the poignant meaning of the scene.
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Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabriel
Scene in the Jewish Quarter of Constantine
Scene from the Gallic Wars: The Gaul Littavicus, Betraying t
Jewish Woman of Algiers Seated on the Ground
Desdemona (The Song of the Willow)
Portrait of the Baroness Chassériau
Count Philibert-Oscar de Ranchicourt
Portrait of Félix Ravaisson
Eugène Delacroix — Ophelia's Song
Eugène Delacroix — Ophelia's Song, plate 12 from Hamlet
Théodore Chassériau|William Shakespeare — "Therefore, be mer
Théodore Chassériau|William Shakespeare — "If I do die befor
Théodore Chassériau|William Shakespeare — "She thank'd me":
Théodore Chassériau|William Shakespeare — "Honest Iago, my D
Auguste-Thomas-Marie Blanchard|Pilgeram & Lefèvre|Daniel Mac
Henri Fantin-Latour — The Mastersingers of Nuremberg, Act I:
Théodore Chassériau|William Shakespeare — "Have you pray'd t
Théodore Chassériau|William Shakespeare — "Away!": plate 7 f