Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Rembrandt and his contemporaries shared a fascination with the Kostverloren estate, in part because of the successive misfortunes that its owners seemed to endure. Already by Rembrandt’s time it had taken on its name, which translates as “lost expenses” or, more colloquially, “money pit.” The site faced another setback when much of the castle was destroyed in a fire. After this damage—and before its eventual repair—Rembrandt entered the grounds of the castle and recorded its diminished state. His emphasis on decay is made clear by the felled tree in foreground; its strident horizontality sets off the faded majesty of the castle’s once-grand structures.
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Jan van Goyen — A Romanesque Ruin
Style of Ercole Bazicaluva — Ruins of Castle
Esaias van den Velde, I — Two Monks on a Path
Unknown artist — Ruins with Farm Shed
Rembrandt (Rembrandt van Rijn) — Two Cottages
Jan Brueghel the Elder — The Ruins of Castle Merxem, near An
Jan van Goyen — Village on Sunny Hillside
Anonymous, Italian, 16th century — Landscape with Buildings
Thomas Girtin (British, 1775–1802) — A Selection of Twenty o
Horatius de Hooch — View of Bomarzo
Giovanni Battista Tiepolo — View of a Town with a Fortified
Roelant Roghman (Dutch, 1627–1692) — Ruin of the huis Ter Kl