Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
According to Christian legend, while celebrating Mass, Pope Gregory I prayed for a sign to convince a doubting congregant about transubstantiation—the belief that the consecrated bread and wine are the flesh and blood of Jesus, a central tenet of the Catholic faith. Here, Christ is shown miraculously appearing above the altar at right, in front of Gregory kneeling amid his startled congregation. Although the original model for the print is lost, an inscription on the plate notes that Simon Frisius created the etching based on a design by Jan Gossaert, a Netherlandish painter who was active almost 100 years earlier.
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Landscape with a Farmhouse
The Samaritan Approaches the Inn, from Landscapes with the S
Healing of the Paralytic, from Landscapes with Scenes from t
Mountainous Landscape
Parable of the Sower, from Landscapes with Scenes from the L
The Priest Passing the Man, from Landscapes with the Story o
The Flight into Egypt, from Landscapes with Scenes from the
Mountainous Landscape
Simon Wynhoutsz Frisius|Jan Gossart (called Mabuse) — Mass o
Philips Galle|Pieter Bruegel the Elder|Martel — Faith (Fides
Pieter Bruegel the Elder|Hieronymus Cock|Philips Galle — Fai
Rembrandt van Rijn (Dutch, 1606–1669) — Christ Before Pilate
Jan Sadeler, I — David Playing the Harp
Wenceslaus Hollar|Hans Holbein the Younger — Jesus before An
Rembrandt (Rembrandt van Rijn) — Christ Before Pilate: the
Hans Weiditz the Younger — Maximilian I Hearing Mass
Albrecht Dürer — The Presentation of the Virgin in the Templ
Hans Burgkmair|Jost de Negker|Marx Treitz-Sauerwein von Ehre
Philips Galle — Faith, from The Seven Virtues
Hans Brosamer — Solomom Adoring the Idols