Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This brightly colored leaf from The Nuremberg Chronicle shows five cheerful skeletons and decaying cadavers dancing, playing music, and emerging from a grave. One tosses its bluish entrails about like a dress train, while others rattle dry bones. Fingerprints appear on the right side of this evidently well-thumbed page. A user also bracketed the text below that begins, “Nothing is better than death,” underscoring the importance of the memento mori (Remember you must die) message offered by the work. The Nuremberg Chronicle was also available uncolored, in black and white.
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The Scourging of Christ (verso), and The Israelites Enslaved
Christ Crowned with Thorns, page 72 from the Treasury (Schat
Nuremberg Chronicle
The Virtues of Christ and the Wickedness of His Enemies Symb
Christ Nailed to the Cross, page 85 from the Treasury (Schat
Pharoah and His Host Perishing in the Red Sea (verso); The F
The Scourging of Christ (verso); The Israelites Enslaved in
The Fall of Lucifer and the Rebel Angels (verso); The Gather
Michael Wolgemut — Dance of Death, leaf from "The Nuremberg
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein, the younger — Dance of Death, plate 39 from Wo
Hans Holbein the Younger|Hans Lützelburger — The Old Woman,
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger|Hans Lützelburger — The Abbess, fro
Albrecht Dürer — Illustration from Sebastian Brandt: Navis S
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger|Hans Lützelburger — The Queen, from
Hans Holbein the Younger|Hans Lützelburger — The Lawyer (or