Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Many artists viewed lithography as a tool that would allow them to reproduce paintings and spread their fame. In contrast, Pierre-Paul Prud’hon was an artist who created prints as unique works of art. Working in the period following the French Revolution, his embrace of sensual and classical allegorical figures was initially at odds with the prevailing patriotic and military mood in France. However, the escapist quality of his prints soon gained popularity and fame.
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Pierre-Paul Prud'hon (French, 1758–1823) — Meditation
Angelica Kauffmann — Juno and the Peacock
Angelica Kauffmann — Juno and the Peacock
Angelica Kauffmann — The Muse
Lady Elizabeth Wrixon-Becher|Frederick Christian Lewis, Seni
Francesco Bartolozzi|Giovanni Battista Cipriani — Ariadne, C
Fréderic Cazenave|Alexandre Evariste Fragonard — La Douce Re
Christine de Pisan|Marie Philippe Coupin de la Couperie — Po
Gérard Jean Baptiste Scotin I|Jacques le Hay|Jean Baptiste V
Urbain Canel|baron François Gérard|Pierre Michel Adam — Mada
Mary, Queen of Scots|David Hume|Robert Cooper|William Bromle
Thomas Stothard — The Lost Apple, from the first issue of Sp