Anonymous, German, 16th century

Procession, with a male and two female figures seated on a float

16th century
Etching
32.7 × 42.9 cm (12.9 × 16.9 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Anonymous, German, 16th century

Portrait of a Young Man Wearing a HatPortrait of a Young Man Wearing a HatThe Dance of DeathThe Dance of DeathChrist on the CrossChrist on the CrossVolcano at center with blacksmiths working at left and armor on the ground around themVolcano at center with blacksmiths working at left and armorProcession, with a female figure seated on a floatProcession, with a female figure seated on a floatHead of a Woman and Sketch of a Figure (?)Head of a Woman and Sketch of a Figure (?)Rock formation with a blindfolded figure of cupid at top, two soldiers bound at the bottom, and a man with a horse to the rightRock formation with a blindfolded figure of cupid at top, twCrucifixion with the Virgin and St. John the EvangelistCrucifixion with the Virgin and St. John the Evangelist

More like this

Entrée du Prince de Pfalzbourg (Entrance of the Prince of Pflazbourg), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien PhillipeJacques Callot|Henri Humbert — Entrée du Prince de PfalzbourDesign for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de MachaultMelchior Tavernier|Pierre Firens I|Abraham Bosse|Jean-BaptisDesign for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de MachaultPierre Firens I|Abraham Bosse|Jean-Baptiste de Machault|MelcCopy of Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)Jacques Callot|Anonymous — Copy of Les Bohémiens en Marche: Cart with Horn Musicians, The Triumphal Procession of Emperor Maximilian IHans Burgkmair|Jost de Negker|Marx Treitz-Sauerwein von EhreDesign (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's ForgeGiovanni Giardini — Design (Full-Scale Working Drawing) for Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)Jacques Callot — Les Bohémiens en Marche: L'Arrière-Garde, pLe Chars et Les Personnages (The Chariots and The Characters), from La Guerre d'Amour (Guerra d'Amore) (War of Love)Jacques Callot — Le Chars et Les Personnages (The Chariots aEntrée du duc Charles IV (Entrance of Duke Charles IV), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien PhillipeJacques Callot|Henri Humbert — Entrée du duc Charles IV (EntEntry of the Monseigneur the Prince of Phalsbourg, Defender in the Combat, from The Combat at the BarrierJacques Callot — Entry of the Monseigneur the Prince of PhalDesign for the Rear of a Coach with a Girl Pouring Water into a ShellAnonymous, Italian, 17th century — Design for the Rear of a Adulthood (Evening) from The Four Ages of Man and Death with the Last JudgmentHieronymus (Jerome) Wierix|Ambrosius Francken I — Adulthood