● On view now — Gallery 134
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The delicately painted fruit in soft pastel hues enhances the clear-glazed interior of this crimson-sheathed cup. The subtle color palette reflects the technical advancements in porcelain enameling towards the end of Kangxi’s reign. Under the emperor’s patronage, potters successfully introduced a white enamel with a base of lead arsenic. This innovation serves to opacify the colors and allows for finer gradations. This cup features the motif of the Buddha’s Hand (foshou), a nonedible yet fragrant citron characterized by its long “fingers.” The name of this fruit approximates the sounds of the Chinese words for happiness (fu) and longevity (shou). The cup is part of a matching set that features various auspicious motifs.
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