Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
French composer Hector Berlioz’s Symphonie Fantastique is an epic composition that tells the story of an artist’s unrequited love for a beautiful woman, who was probably based on the Irish actress Harriet Smithson. Here, Henri Fantin-Latour paid homage to the symphony’s second movement, in which the artist, at right, tries to gain the attention of his beloved as the guests of the ball mingle in the background.
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Henri Fantin-Latour (French, 1836–1904) — Fantastic Symphony
Henri Fantin-Latour (French, 1836–1904) — Last Theme of Robe
Edgar Degas (French, 1834–1917) — Mlle Bécat at the Café des
Lovis Corinth (German, 1858–1925) — Weislingen and Adelheid:
Gaston La Touche — Plate from l'Assommoir (singer onstage wi
Henri Fantin-Latour (French, 1836–1904) — Parsifal, Act II:
Henri de Toulouse-Lautrec — Baron Moïse, the Box, from Au Pi
Henri de Toulouse-Lautrec — Lender Dancing the Bolero in Chi
Anders Zorn — The Waltz
Félicien Rops — First Step
Edvard Munch — The Hands
Gaston La Touche — Plate from l'Assommoir (dancing woman wit