In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Eakins’s earliest use of photography was as a visual aid to painting. In the early 1880s, he began photographic experiments that would allow him to create a more accurate and convincing rendering of anatomy and the human form in motion. Recognizing the assistance these visual reminders could provide the artist, Eakins and his circle began photographing a series of nude forms modeled by men, women, and children. These images, which he called the Naked Series, consist of seven contact-printed photographs mounted on cardboard strips. They show the models from the front, side, and rear posed in contrapposto positions or with their weight equally distributed. Eakins’s other photographic endeavors included a series on the figure in motion—photographs that were clearly used as studies for paintings—and more traditional portraits and figural groupings.
Be the first to share your thoughts.
Sign in to join the discussion.
Guglielmo Marconi (French, 1842–after 1885) — Male Nude
William Bell — Gunshot Wound of Middle Third of Left Femur
Unknown — [Standing Male Nude]
André-Adolphe-Eugène Disdéri — Prince Lobkowitz
Unknown — [Young Boy, Nude, From the Back, Climbing]
Thomas Eakins — Bill Duckett Nude, at the Art Students’ Leag
Thomas Eakins — [Man Walking, "Stroboscopic" Photograph]
Nadar — Hermaphrodite
Thomas Eakins — [Thomas Eakins and John Laurie Wallace on a
Thomas Eakins — [Standing Male Nude with Pipes]
Thomas Eakins — [Nude Men in the Garden]
Unknown — [Nude Man Squatting on Chair]