Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
For his early prints, Roussel adapted James McNeill Whistler’s methods to express his own interest in documenting the local scene, and Laburnums and Battersea is a striking example of the older artist’s influence. Roussel developed his plate through multiple states, used a variety of ink colors, and employed selective wiping to suggest differing effects of light, water, and mist. He also chose an upright format and a larger scale than his other prints depicting Chelsea and the Battersea factories on the opposite bank of the Thames River.
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Theodore Roussel (French, 1847–1926) — Laburnums and Batters
Gustave Leheutre (French, 1861–1932) — La grève désertée
James McNeill Whistler (American, 1834–1903) — Long Venice
James McNeill Whistler — Early Morning
James McNeill Whistler — Charing Cross Bridge
James McNeill Whistler — Long Venice
Francis Seymour Haden — The Island Opposite Boyle's Farm
Rodolphe Bresdin — Clump of Trees with a Village in the Dist
James McNeill Whistler — Early Morning
Francis Seymour Haden — Horsley's House at Willesley
James McNeill Whistler — Little Putney Bridge
Francis Seymour Haden — Brentford Ferry