Conte Antonio Maria Zanetti, the Elder
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Conte Anton Maria Zanetti possessed a number of 16th-century drawings by and attributed to Parmigianino, which he used as the basis for numerous small-scale chiaroscuro figure studies. Although his works were less dramatic in scale and execution than those by his competitor, John Baptist Jackson (whose works are also on display in this gallery), Zanetti was nonetheless more prolific, given his access to early source material.
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Hendrick Goudt|Adam Elsheimer — Salome receiving the head of
Jeremias Falck — The Entombment
Arnold van Westerhout|Guillaume Courtois — Abdon and Sennen
Simone Cantarini|Ludovico Carracci — Saint Benedict exorcisi
Guillaume Courtois — Saints Abdon and Sennen Bury the Remain
Anonymous|Peter Paul Rubens|François I Chéreau|Lucas Vorster
Valentine Green — Miravan
Parmigianino (Girolamo Francesco Maria Mazzola) — Entombment
Anonymous, Italian, Roman-Bolognese, 17th century — Lot and
William Blake|John Johnson|Charles Allen — The Death of Lucr
Michael Kock — Entombment
Anonymous|Diogenes|Alexander III of Macedon — Alexander the