● On view now — Gallery 216
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This painting depicts a young woman lost in reverie after reading the letters of the ill-fated medieval lovers Heloise and Abelard. The objects on the table beside her—a letter, a sheet of music, and a book of erotic poetry—hint at a life of leisure and a susceptibility to love. In this early picture, Auguste Bernard drew upon history paintings by Peter Paul Rubens and Charles Le Brun , as well as Parisian traditions of genre painting and portraiture pioneered by Jean-Baptiste Greuze . Bernard worked in Paris in the early 1780s and studied in Italy for several years. Upon his return to Paris, he found his career frustrated by the French Revolution and the emergent fashion for the more austere Neoclassical style.
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Jean François Millet — Young Woman
Nicolas-Bernard Lépicié (French, 1735–1784) — Woman Reading
Jean Honoré Fragonard — Allegory of Vigilance
Pierre Charles Trémolières — Comedy
Giovanni Domenico Tiepolo (Italian, 1727–1804) — Portrait of
Paulus Moreelse — A Shepherdess
François Boucher — The Toilette of Venus
Rosalba Carriera — A Young Lady with a Parrot
Frans van Mieris (I) — Escaped Bird: Allegory of Chastity
Jacques Louis David — Madame François Buron
Joseph-Marie Vien (French, 1716–1809) — Sweet Melancholy
François Boucher — Bathing Nymph