Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Since the 1400s, scenes of country peasants celebrating and dancing were common in northern art; such images often pictured the rural classes as rowdy, uncivilized, and prone to indulgence. In contrast, Dürer presented the country folk displayed here as monumental figures in extraordinary detail, thus elevating the subject. Dürer’s depictions are commentaries on social order and demonstrate his interests in humanity as well as the study of human proportion. Even though the role of gender in Dürer’s peasant scenes is scarcely discussed, he clearly locates the woman as the focal point of this engraving. As her companion hollers and waves his arm in reckless abandon, the stout woman appears deliberate in her movements. She gazes assertively at the viewer while drawing attention to the keys, purse, and knife at her waist—symbols of authority and power.
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Albrecht Dürer — Peasant Couple Dancing
Albrecht Dürer — Peasant Couple Dancing
Albrecht Dürer — Peasant Couple Dancing
Jacob Binck (German, 1500–1569) — A Dancing Couple of Peasan
Cornelis Dusart (Dutch, 1660–1704) — The Drunken Couple
Barthel Beham — Peasant Couple Dancing
Cornelis Massys (Flemish, 1510/11–1556/57) — Dancing Cripple
Albrecht Dürer — The Peasant and His Wife
Cornelis Dusart — The Drunken Couple
Pieter Bruegel the Elder|Hendrick Hondius I — Epileptics Wal
Lucas van Leyden — Two Boys with a Helmet and Standard
Domenico Campagnola (Italian, 1500–1564) — The Assumption of