Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Flanked by younger couples entwined in erotic poses, an unaccompanied older woman appears to scowl. It is unclear whether the central figure, traditionally identified with envy, is the one experiencing the feeling or merely a visual symbol of it. Secular allegorical subjects were popular with Renaissance printmakers, especially in Italy. In this case, the Florentine engraver Cristofano Robetta copied German prints by Albrecht Dürer for the landscape in the background.
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Cristofano di Michele Martini (Il Robetta) — Allegory of the
Albrecht Dürer — Hercules at the Crossroad
Anthonie van Montfoort Blocklandt — Cecrops' Daughters Uncov
Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Mar
Marco Dente|Francesco Villamena|Raphael (Raffaello Sanzio or
Albrecht Dürer — Hercules at the Crossroad
Circle of Hans Baldung Grien — The Lamentation of Christ
Marcantonio Raimondi|Francesco Francia — A young man, seated
Lucas Cranach the Elder — The Penitence of Saint John Chryso
Marcantonio Raimondi — Mars, Venus and Cupid
Marcantonio Raimondi|Francesco Francia — Christ in Limbo wit
Domenico Campagnola — Landscape with a Satyr