Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A painter at the court of Lorraine, Gabriel Salmon is best known today for his woodcuts of the mythological labors of Hercules. Salmon emphasized the violent action of this rarely depicted scene with the sweeping lines around the figure of the demigod. The woman reaches toward Hercules’ crotch, while one of the satyrs fondles her breast and the other raises his shield against Hercules’ swinging club. The satyrs’ impending doom is foreshadowed by the already-vanquished figure on the ground.
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The Labors of Hercules: Hercules and Cacus
Hercules Fighting the Sons of Proteus
The Labors of Hercules: Bringing Cerberus from the Lower Wor
The Labors of Hercules: Hercules Subduing the Erymanthian Bo
Hercules and the Giants, from Scenes from the Life of Hercul
The Labors of Hercules: Capture of the Oxen of the Geryones
Hercules Strangling the Nemean Lion, from the Labors of Herc
Hercules Killing the Lernean Hydra, from Scenes from the Lif
Hans Baldung (called Hans Baldung Grien) — The Witches
Hans Baldung (called Hans Baldung Grien) — The Witches
Hans Burgkmair (German, 1473–1531) — Venus and Mercury
Albrecht Dürer — The Desperate Man
Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous
Jean Duvet — Saint Sebastian, Saint Anthony, and Saint Roch
Albrecht Dürer — The Desperate Man
Jean Duvet — The Angel Calling the Birds
Francesco Francia|Marcantonio Raimondi — A satyr fighting fo
Giulio Bonasone — The Creation of Eve
Hans Baldung Grien — The Lamentation
Albrecht Dürer — The Harrowing of Hell, from The Large Passi