Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The medical term priapism is derived from the name of the minor fertility god Priapus, whose permanently erect phallus is carefully washed in this sacrificial scene. Jacopo de’ Barbari also produced a larger engraving (1935.102 and 1956.999) in which the god’s phallus is obscured by smoke. The ceremonies depicted in these prints would have been intended to enhance the women’s fertility and their sons’ virility. The winged staff of Hermes doubles as the artist’s monogram in both prints; its placement on Priapus’s plinth may refer to the practice of erecting guideposts with Hermes’ portrait near roads to help lost travelers. Like the statue in this work, these pillars would have included sculpted, protruding genitalia, as in the Master of 1515’s engraving of Cleopatra (1951.374).
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Jacopo de' Barbari (Italian, c. 1460/70–c. 1516) — Sacrifice
Girolamo Mocetto — The metamorphosis of Amymone who lies at
Stefano della Bella — Ornament design for a thesis, the Stro
Battista Franco — Diana resting with her nymphs
Marcantonio Raimondi — An allegorical scene; a young woman a
Jean Mignon|Luca Penni — Venus Bathing Attended by Nymphs
Giulio Bonasone|Parmigianino (Girolamo Francesco Maria Mazzo
Andrea Mantegna — Bacchanal with Wine Vat
Salvator Rosa — The Genius of Salvator Rosa
Giulio Bonasone — The Judgment of Paris
Stefano della Bella|Jean Desmarets de Saint-Sorlin|Henri Le
Cristofano di Michele Martini (Il Robetta) — Allegory of the