Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
After gaining early fame with his impressive biblical paintings and earning recognition as a printmaker, John Martin returned to biblical themes later in life with Illustrations of the Bible . The mezzotint process, in which the entire plate is roughened and then burnished to create highlights, accentuated Martin’s breathtaking visions of the Bible. He changed his usual literal approach to illustration and took some liberties with the text in these portrayals. Unfortunately, due perhaps to its high price and the glut of prints in the market, Illustrations of the Bible was a commercial failure and the series was never completed.
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Ruins of an Ancient City
View on the South Downs
The Valley of the Tyne, My Native Country near Henshaw
Joshua Commanding the Sun to Stand Still Upon Gibeon (Joshua
Figures Seated by a Lake in a Wooded Landscape
Text and cover, from Illustrations of the Bible
Paradise Lost: Adam and Eve Driven out of Paradise
Landscape with a Ruined Castle
David Lucas — Weymouth Bay, Dorsetshire
John Martin|Thomas Goff Lupton|Walter Benjamin Tiffin|Willia
John Martin|Thomas Goff Lupton|Walter Benjamin Tiffin|Willia
John Martin (British, 1789–1854) — Paradise Lost: The Creat
David Lucas — Weymouth Bay, Dorsetshire
John Martin (British, 1789–1854) — Paradise Lost: Adam and
Théodore Chassériau — Yet She Must Die, plate eleven from Ot
David Lucas — Summer Afternoon - After a Shower
Louis Haghe (British, 1806–1885) — Egypt and Nubia: Volume
Odilon Redon — Battle
Gustav Friedrich Papperitz — Gate of Orvieto
Gillis van Scheyndel — Path between Roman Ruins, from Twelve