Adolph Friedrich Erdmann von Menzel

The Card Game

1899
Graphite and fabricated black chalk, with stumping, erasing, and scraping, with touches of brush and black ink, on cream wove paper, edge mounted on ivory wove card
19.8 × 26.7 cm (7.8 × 10.5 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Menzel often chose to depict complex social situations, no doubt to test his powers of observation. From the absolute concentration on the gamblers’ faces to the grimace of the screaming child, he captured a wide range of emotions. His attention to the setting is equally exacting, as evidenced by the meticulous still life on the far table. The artist’s technique here is as sophisticated as his sense of observation. To create an illusion of smoke, for instance, he applied chalk and then scraped areas away. Menzel was known for always having one of his sketchbooks on hand. Reportedly, in order to carry them more easily, he had special, large pockets added to his coats.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Adolph Friedrich Erdmann von Menzel

In a Railway Carriage (After a Night's Journey)In a Railway Carriage (After a Night's Journey)Head of an Old ManHead of an Old ManHead of a Bearded Man in Half-ProfileHead of a Bearded Man in Half-ProfilePortrait of a Bearded ManPortrait of a Bearded ManPlate two, from RadierversuchePlate two, from RadierversucheTitle page, from RadierversucheTitle page, from RadierversucheSketches of Hands, Arms, and HeadsSketches of Hands, Arms, and HeadsPlate four, from RadierversuchePlate four, from Radierversuche

More like this

Artists Judging Works of ArtGeorge Bellows (American, 1882–1925) — Artists Judging WorksThe LocaleMax Klinger (German, 1857–1920) — The LocaleFestival at the Tuilleries Auguste Louis Lepère (French, 1849–1918) — Festival at the TGroupe de joueursJean Louis Forain (French, 1852–1931) — Groupe de joueursAt the CaféÉdouard Manet (French, 1832–1883) — At the CaféParis, The great Art exhibition: In the Great Salon, A moment of reflectionEtienne Carjat — Paris, The great Art exhibition: In the GreThe White CamelliaGeorge Louis Palmella Busson Du Maurier (British, 1834–1896)Café SceneCharles Samuel Keene — Café SceneGeorges Clemenceau and the Optomotrist, Mayer, from Au Pied du SinaïHenri de Toulouse-Lautrec — Georges Clemenceau and the OptomAggravating FlippancyGeorge Du Maurier — Aggravating FlippancyThe Painter Who Had a Painting Refused.Honoré Daumier (French, 1808–1879) — The Painter Who Had a PLate PicquetJames McNeill Whistler — Late Picquet