Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Drawings by the Symbolist artist Max Klinger are very rare. This intimate drawing was completed over April 5-6, 1888, while the artist was staying in Rome on the Via Claudia near the Colisseum. This sensitive figure drawing helped to prepare Klinger's most important painting of those years, The Crucifixion, 1888/1891. In an almost autobiographical reflection, it depicts the scribe who unemotionally documents the world's greatest tragedy that rages around him.
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Thomas Jones Barker — Seated Boy, Half-Length
Édouard Manet — Young Man Standing (Léon Leenhoff) (recto);
Thomas Jones Barker — Boy Writing or Sketching
Thomas Jones Barker — Boy Turning Sideways, Half-Length
Domenico Fiasella — Seated Monk Holding Book
Constant Troyon — A Standing Peasant Boy in Hat and Wooden S
David Wilkie — Croatian Peasant
Charles Samuel Keene — Seated Man in Tunic
Eugène Leygue — Standing Man
Charles Paul Renouard (French, 1845–1924) — Standing Woman
Giovanni Battista Piazzetta (Italian, 1682–1754) — Head of a
Thomas Jones Barker — Seated Boy, Looking Sideways