Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albert Bierstadt is best remembered for his paintings of the American West, but during his early career, the ambitious artist also created New England landscapes, particularly of the White Mountains, as seen here. When this painting was first exhibited in 1863, critics declared it Bierstadt’s “best work” and praised the artist’s deft contrast of “light and shade,” which brought a heightened realism to the image. Bierstadt’s affinity for the White Mountains mirrored a growing interest in the region as one of America’s premier tourist attractions. Photographs of the area from the 19th century suggest that Bierstadt utilized landscape elements from the Flume, a popular New Hampshire tourist site, in this imaginary composition.
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Asher B. Durand (American, 1796–1886) — Forest Stream with V
Asher Brown Durand — Study of Rocks in Pearson's Ravine
William Trost Richards (American, 1833–1905) — June Day
Julie H. Beers (American, 1835–1913) — A Mountain Stream
Asher B. Durand (American, 1796–1886) — Trees on a Rocky Hil
Achille-Etna Michallon — Waterfall at Mont-Dore
Johannes Warnardus Bilders — Bosgezicht bij Wolfheze.
Allen Smith, Jr. (American, 1810–1891) — Landscape near Pain
Jasper F. Cropsey (American, 1823–1900) — Trees and a Stream
Jervis McEntee (American, 1828–1891) — Autumn in the Catskil
David Johnson (American, 1827–1908) — Study, North Conway, N
August Heinrich — At the Edge of the Forest