Claude Gillot

Feste de Diane

n.d.
Etching on paper
17.4 × 35.9 cm (6.9 × 14.1 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Claude Gillot’s four-etching series of riotous woodland bacchanals celebrates Bacchus, Pan, fauns, and the nymph Diana (see 1969.280–82). As stylistic precursors to the French Rococo with a deep interest in theater, Gillot’s prints are satirical and revolve around ancient sculpture.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Claude Gillot

Seated Male NudeSeated Male NudeLa scène des deux carrossesLa scène des deux carrossesThe Four Festivals:  Festival of FauneThe Four Festivals: Festival of FauneHarlequin Espirit Follet: The Comedian's RepastHarlequin Espirit Follet: The Comedian's RepastThe Four Festivals:  Festival of DianaThe Four Festivals: Festival of DianaThe Feast of the FaunThe Feast of the FaunEducationEducationThe Four FestivalsThe Four Festivals

More like this

Irresolution, or the ConfidenceJean Antoine Pierron — Irresolution, or the ConfidenceThe festival of Diana, interrupted by satyrs (Feste de Diane, troublée par des Satyres): nymphs gathered around the bust of Diana in a stone niche at center, surprised by the arrival of satyrs from either side, from 'Les Bacchanales; Quatres Festes'Claude Gillot|Pierre François Basan — The festival of Diana,Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste TillLa Bonne MereJean Honoré Fragonard|Nicolas de Launay — La Bonne MereThe Too Rapid ReturnJean Antoine Pierron — The Too Rapid ReturnThe Comic RendevousJean François Janinet — The Comic RendevousLa Soiree du Palais RoyalJean Gabriel Caquet — La Soiree du Palais RoyalLa Partie de MusiqueVincent-Marie Langlois — La Partie de MusiqueThe Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from 'The lives of satyrs' (La vie des satyres)Claude Gillot|Jean Audran — The Birth (La Naissance): in a fThe Game of Blind Man's BluffCharles-Nicolas Cochin (French, 1715–1790) — The Game of BliBacchanalFrançois Roëttiers — BacchanalL'Enlevement NocturneNicolas Ponce — L'Enlevement Nocturne