Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Claude Gillot’s four-etching series of riotous woodland bacchanals celebrates Bacchus, Pan, fauns, and the nymph Diana (see 1969.280–82). As stylistic precursors to the French Rococo with a deep interest in theater, Gillot’s prints are satirical and revolve around ancient sculpture.
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Jean Antoine Pierron — Irresolution, or the Confidence
Claude Gillot|Pierre François Basan — The festival of Diana,
Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Till
Jean Honoré Fragonard|Nicolas de Launay — La Bonne Mere
Jean Antoine Pierron — The Too Rapid Return
Jean François Janinet — The Comic Rendevous
Jean Gabriel Caquet — La Soiree du Palais Royal
Vincent-Marie Langlois — La Partie de Musique
Claude Gillot|Jean Audran — The Birth (La Naissance): in a f
Charles-Nicolas Cochin (French, 1715–1790) — The Game of Bli
François Roëttiers — Bacchanal
Nicolas Ponce — L'Enlevement Nocturne