Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albrecht Dürer’s Men’s Bath has been interpreted in many ways—from a humanist ode to Italian nudes to a group of portraits including three potential views of Dürer and one of his best friend, the rotund Willibald Pirckheimer. The waterline is only ankle-deep for the standing figures, while the seated pair in the foreground is more submerged; a Dürer look-alike controls the strategically placed pump. This large-scale woodcut was published shortly after a 1496 edict closed the bathhouses in Dürer’s hometown of Nuremberg, around the time of both an outbreak of syphilis and a drought. It may therefore be a protest against the edict, or perhaps a nostalgic look at idyllic bathing activities of days past.
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Albrecht Dürer (German, 1471–1528) — The Men's Bath House
Lucas Cranach the Elder — Saint Simon, from The Martyrdom of
Lucas Cranach the Elder — The Flagellation, from The Passion
Lucas Cranach the Elder — The Crucifixion
Israhel van Meckenem, the younger — The Crucifixion
Israhel van Meckenem, the younger — The Flagellation
Albrecht Dürer (German, 1471–1528) — The Great Passion: The
Lucas Cranach the Elder — Simon, from The Martyrdom of the T
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Lucas Cranach (German, 1472–1553) — Martyrdom of St. Simeon
Michel Wolgemut — Christ Nailed to the Cross, page 85 from t
Albrecht Altdorfer — Nailing to the Cross, from The Fall and