Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This sizable landscape print by Tischbein, the German director of the Neapolitan art academy, served as a frontispiece for his book Homer Drawn after the Antique . Tischbein also describes himself on the title page as the depot director of the Farnese Antiquities, a Renaissance-era collection, which he moved from Rome to Naples. Rather than reproducing Homeric scenes from ancient sculpture as was done elsewhere in the book, this etching depicts the verdant landscape of the Cyclops Polyphemus’s island before the advent of the dangerous Odysseus, imagining it as a secluded glade in Naples. The luscious hanging swags of grapes bar the viewer’s entry while dangling the promise of wine to Dionysos’s devotees.
Be the first to share your thoughts.
Sign in to join the discussion.
Johann Heinrich Wilhelm Tischbein — Frontispiece for Heft IV
Adolphe Théodore Jules Martial Potémont (French, 1828–1883)
Wendelin Wick (German, active 1842–1853) — The Forest Maiden
Rodolphe Bresdin — The Good Samaritan
Hubert Robert — Le Buste
Johann Wilhelm Schirmer — The Large Italian Landscape
Christoph Heinrich Kniep — Grape Harvest at the Gulf of Napl
Alexandre Calame (Swiss, 1810–1864) — Oeuvres de A. Calame:
Rodolphe Bresdin — Frontispiece for Fables and Tales by Hipp
Charles Jacque — Shooting a Woodcock
Rodolphe Bresdin (French, 1822–1885) — First frontispiece fo
Samuel Palmer (British, 1805–1881) — Christmas (Folding the