Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
When François-André Vincent made this endearing portrait of Marie-Gabrielle Capet in 1790, he had just been appointed professor at the Royal Academy and curator of the king’s drawings collection. Capet came from Lyons to Paris to study with Vincent’s life-long companion, the portraitist and miniaturist Adélaïde Labille-Guiard. Capet became her favorite pupil, then their housemate and model, and ultimately their caretaker in old age. The artist’s use of three chalks and deliberate grace reflects the preceding era of the Rococo more than the severity of the Neoclassical, revolutionary era.
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Guercino — Woman in Profile, Pointing with Left Hand
François Boucher|Gilles Demarteau — Jeune femme
Alexandre Moitte — An Elegant Young Woman in a Garden
Adélaïde Labille-Guiard|Marie Gabrielle Capet — Study of a S
Pierre-Jacques Volaire — Dancing Woman
Thomas Rowlandson (British, 1756–1827) — Lady Elliott, Commo
Unknown — Three-Quarter Length Sketch of Woman in Evening Dr
Augustin de Saint-Aubin — Half Figure of a Woman Wearing a C
Giovanni Paolo Panini (Italian, 1691–1765) — Standing Woman
François Boucher|Gilles Demarteau — Tête de paysanne
Pierre Antoine Baudouin|Montbrian De Chateauvieux — Perrette
Sigmond Freudeberg (Swiss, 1745–1801) — Woman with a Letter