Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Curiously, Canaletto never printed either of these energetic capriccio landscapes (depictions of fantastic architecture or ruins) individually. Instead, they exist only as a pair on a single sheet (for the right half, see 1922.1381.14). While both images include fictional antiquarian architectural elements, it is not known why the artist combined them. Perhaps it was their mirrored compositions: when placed side by side, both images slope inward toward a church that straddles the margin between the plates and connects the two scenes.
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Antonio Canaletto (Italian, 1697–1768) — Views: Le Pilier i
Giovanni Battista Piranesi — Plate 17: The Arch of Rimini bu
Giovanni Battista Piranesi — View of the Arch of Titus, from
Giovanni Battista Piranesi — Temple of Jupiter Tonans [Jupit
Jonas Umbach, the elder — Italian Landscape with Ruins
Giovanni Battista Piranesi — The Arch at Rimini built by Aug
Giovanni Battista Piranesi — Plate 15: Forum of Augustus (Fo
Giovanni Battista Piranesi — Plate 1: Part of the Forum of N
Giovanni Battista Piranesi — Plate 7: Temple of Jupiter Tona
Giovanni Battista Piranesi — Hadrian's Villa: The Piazza d'O
Jean Morin|Cornelis van Poelenburch — Les Monuments Romains
Giovanni Battista Piranesi — Remains of a covered portico, o