Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albrecht Dürer’s strikingly modern woodcut of men relaxing at an open-air bath boasts deep, dark ink and a warm, creamy paper tone suited to its celebration of naked flesh. This impression looks much the way it would have when it came off Dürer’s press around 1497. While others might have been posted on walls, perhaps at bathhouses, this particular Men’s Bath appears to have largely escaped handling until close to the present day. While ostensibly a genre scene, the print may protest the Nuremberg Council’s 1496 edict forbidding the town’s residents to visit bathhouses after an outbreak of syphilis and a drought.
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Albrecht Dürer (German, 1471–1528) — The Men's Bath House
Lucas Cranach the Elder — Saint Simon, from The Martyrdom of
Lucas Cranach the Elder — The Flagellation, from The Passion
Israhel van Meckenem, the younger — The Crucifixion
Lucas Cranach the Elder — The Crucifixion
Albrecht Dürer (German, 1471–1528) — The Great Passion: The
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Albrecht Altdorfer — Nailing to the Cross, from The Fall and
Lucas Cranach the Elder — Simon, from The Martyrdom of the T
Lucas Cranach (German, 1472–1553) — Martyrdom of St. Simeon
Lucas Cranach (German, 1472–1553) — Martyrdom of St. Barthol
Michel Wolgemut — Christ Nailed to the Cross, page 85 from t