● On view now — Gallery 216
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Professional women artists were rare in the 1730s. The Royal Academy of Painting and Sculpture, which controlled artistic education and competitive art exhibitions called salons, was closed to women. Instead, artistic careers were traditionally limited to those born into families of artists, who could be trained by a male relative. The subject of this portrait probably belonged to such a clan. The presentation here emphasizes the sitter’s luxurious attire, including a swansdown scarf and a damask morning gown, as well as her vocation: she sits confidently before her easel, her palette in hand.
Be the first to share your thoughts.
Sign in to join the discussion.
Maurice Quentin de Latour — Portrait of Madame Anne-Jeanne C
Jan Maurits Quinkhard — Portrait of Margaretha Trip, Wife of
Jean Honoré Fragonard — Portrait of a Young Woman
François Hubert Drouais — Marie Rinteau, called Mademoiselle
Joseph Wright (Wright of Derby) — Portrait of a Woman
Madeleine Françoise Basseporte — Portret van een jonge
Jean-Marc Nattier (French, 1685–1766) — Portrait of a Woman
Francesco Solimena — Portrait of a Girl
John Smibert (Scottish, 1688–1751) — Portrait of a Woman (Ju
Caspar Netscher — Portrait of Madame de Poullain
Nicolas de Largillière — Self-Portrait