Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Unlike painting, printmaking allowed Canaletto to separate and combine images at his own discretion. He etched the outer two vignettes on a single plate before cutting it in two (for the other half, see 1922.1381.12). Then he reversed their order and positioned a third, unrelated segment between them (1922.1381.11). Besides reusing fragments of larger plates, these mysterious composite prints appear to have little in common beyond the archways and statues they contain.
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Antonio Canaletto (Italian, 1697–1768) — Views: The Little
Johann Christoph Erhard — Wood Gatherer with a Boy, plate tw
Antonio Canaletto (Italian, 1697–1768) — Views: Fragments o
Roelant Roghman — No. 3, from Six Views in the Wood of The H
Charles François Daubigny — The Seine at Port-Maurin
Charles François Daubigny — The Seine at Port-Maurin
Charles Émile Jacque — Well in a Farm Courtyard
Adolph Friedrich Erdmann von Menzel — Plate five, from Radie
Rembrandt van Rijn — The Bridge at Klein Kostverloren on the
Giovanni Battista Piranesi — Tomb of the three Curiatii brot
Donald Shaw MacLaughlan — The Kite
Anonymous, British, 18th century — Picturesque Landscape