Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albrecht Dürer’s imaginary coat of arms is one of the Art Institute’s finest impressions, with a great delicacy of line and range of tonal values and textures. Though he produced a number of literal portraits as well as abstract family crests, Dürer’s over-the-top treatment of the flowing drapery, and the seemingly living symbols—crowing rooster, and lion rampant— on the crest and shield suggest the artist enjoyed taking a stale iconographic convention to its extremes.
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Albrecht Dürer (German, 1471–1528) — The Coat of Arms with a
Daniel Hopfer (German, c. 1470–1536) — Ornament Fillet
Hans Holbein, the younger — Design for Swiss Heraldic Arms
Lucas Cranach (German, 1515–1586) — Coat of Arms of John Fre
Sebald Beham|Barthel Beham — Coat of Arms with a Cock
Nuremberg School — The Arms of the Family Kress von Kressens
Hans Sebald Beham — Coat of Arms with an Eagle
Heinrich Aldegrever (German, 1502–1555/61) — Ornament Design
Carlo Bianconi — Design for a Cartouche Surmounted by a Lion
Daniel Lindtmayer, II — The Arms of Habsberg Flanked by an E
Christoph Murer — Design for a Stained Glass Window
Anonymous, British, 19th century — Design for an Armorial Es