Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A posthumous impression of Albrecht Dürer’s first Knot has been tipped in opposite the frontispiece of this copy of On Human Proportion , Dürer’s book on anatomy for artists. It is the first element in a collected volume of late editions of several texts by the master ( On Human Proportion , 1532–38, On Fortifications , 1527, and The Painter’s Manual , 1538). This second state of the woodcut is the only one to include an ad monogram. Dürer’s fame was already such that his eminently recognizable nested initials had become an ornamental motif in their own right. Annotations on the print’s verso date it to August 14, 1606, about when the sheet was reprinted and probably when it was purchased.
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Hans Hoffman|Jacob Frölich — New Modelbüch allen Nägerin u.
Iseppo Foresto|Jeronimo Calepino — Lucidario di Recami, titl
Jeronimo Calepino|Iseppo Foresto — Lucidario di Recami
Matteo Pagano — Trionfo Di Virtu. Libro Novo..., page 20 (ve
Hans Hoffman|Jacob Frölich — New Modelbüch allen Nägerin u.
Matteo Pagano — Trionfo Di Virtu. Libro Novo..., page 29 (ve
Matteo Pagano — Trionfo Di Virtu. Libro Novo..., page 19 (ve
Giovanni Antonio Tagliente|Giovanni Antonio di Nicolini da S
Giovanni Antonio di Nicolini da Sabio e i fratelli|Giovanni
Jacob Frölich|Hans Hoffman — New Modelbüch allen Nägerin u.
Nicolò Zoppino — Esemplario di lavori, page 14 (verso)
Giovanni Antonio Tagliente|Giovanni Antonio di Nicolini da S