● On view now — Collection Gallery, Main Room, North Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
The tactile fuzziness, plumpness, and ripened hues of Cézanne's peaches satisfy the eye despite the "unfinished" state of the painting. Part of a trio of partially completed still lifes by Cézanne in the collection, Four Peaches on a Plate is the most fully realized. This style of brushwork and the motif of peaches are both relatively rare in this late period of the artist's career. In its close attention to the surface details and the form of the fruit, the canvas recalls his earliest still lifes, from the 1860s. The cropped view and precarious angle of the plate entice the viewer to reach for a fruit.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Pierre-Auguste Renoir — Apples (Pommes)
Pierre-Auguste Renoir — Pears (Poires)
Pierre-Auguste Renoir — Apples and Lemons on a Cloth (Pommes
Pierre-Auguste Renoir — Pomegranate and Figs (Grenade et fig
Pierre-Auguste Renoir — Fruit and Bonbonnière
Pierre-Auguste Renoir — Lemons and Orange (Citrons et orange
Pierre-Auguste Renoir — Still Life with Melon (Nature morte
Pierre-Auguste Renoir — Strawberries and Almonds (Fraises et
Paul Cezanne — The Plate of Apples
Pierre-Auguste Renoir — Bowl, Figs, and Apples (Écuelle, fig
Pierre-Auguste Renoir — Apples, Orange, and Lemon (Pommes, o
Pierre-Auguste Renoir — Pomegranates (Grenades)