Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
These are preparatory drawings for illustrations of Alexander Pope's translations of Homer. The conjunction of Flaxman and Pope presents the essence of English neoclassicism: Flaxman was one of its most influential artists; Pope perhaps its central poet. In these drawings, the severe economy of means and the predominant use of outline reflect the visual and moral austerity of the neoclassical aesthetic.
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Self-Portrait
Sheet of Studies with Female Figure Kneeling and Embracing S
Paris and Oenone
Othus and Ephialtes Holding Ares Captive
Juno Comanding the Sun to Set
Morning: Pope's Odyssey, Book 12 (recto); Study for the fina
Illustration for "Seven Chiefs Against Thebes" (recto); Stud
Study of Two Women Grieving
Unknown artist — Bacchanale
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824) — In
Alexander Runciman — Perseus and the Sleeping Medusa
Anne-Louis Girodet-Trioson — Dido op de brandstapel gelegd e
Thomas Stothard — Female Warriors Coming to the Aid of Brita
Giacomo Francia — Venus and Cupid
Francesco Albani — Goddess Inciting a Warrior
Paul Baudry (French, 1828–1886) — Study of Apollo for Marsya
J. Hulme — Design for Panel Decoration
Anonymous, German, 19th century — Hermes and Athena (?)
Mauritius Lowe — An Allegory of Birth (recto); Cupid and Psy
Jean Le Pautre — Sculpture of Venus and Cupid, with Mars' Ar