Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Elihu Vedder probed questions of the mind in his paintings and illustrations, creating complex, visionary compositions often centered on literary or spiritual subject matter. The lunette A Glimpse into Hell, or Fear is drawn from 14th-century poet Dante Alighieri’s Inferno , the first part of his epic poem, Divine Comedy . Here, five females confront the gate of Hell. Beholding such a sight, they express apprehension and fear, accentuated by the swirling forms of their draperies and hair. Vedder focused on the figures’ psychological tension, rather than the spectacle of the environs itself, depicting only a sliver of fiery flames at bottom left.
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Dante Gabriel Rossetti — Beata Beatrix
Will Hicock Low — They All Moved to the Feast
Sir Edward Burne-Jones — Draped Head, Eyes Looking Toward Ri
Simeon Solomon — Figure with Head Scarf
Dante Gabriel Rossetti|William Shakespeare — Jane Morris: St
Will Hicock Low — She Nothing Said, But Pale and Meek, Arose
Henry Picou (French, 1824–1895) — The Four Seasons
Will Hicock Low — It Was the Custom Then to Bring Away the B
Simeon Solomon — Shadrach, Meshach and Abednego in the Fiery
Lawrence Alma-Tadema (British, 1836–1912) — Glaucus and Nydi
Thomas Wilmer Dewing (American, 1851–1938) — Gloria
Alessandro Vittoria — The Annunciation