Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
As more photographers shot the same monuments,depictions became formulaic.Numerous photographers produced almost identical images,as demonstrated in these two views of the Colossi of Memnon. Shot from different sides but about the same distance, both images employ an angled view and use Egyptian servants and guides as local color and indexes of scale. Captions and artists’ signatures were often written in reverse on the negatives so that they would automatically become part of each print. Sometimes, as in the Beato image, the artist or his assistant was care less.
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Francis Frith — The Statues of Memnon, Plain of Thebes
Antonio Beato (British, c. 1825–1903) — The Colossi of Memno
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Francis Frith — The Statues of Memnon
Francis Frith — The Statues of Memnon. Plain of Thebes
Maxime Du Camp — Gournah, Les Colosses; Thèbes, plate 54 fro
Francis Frith — The Statues of Memnon. Plain of Thebes
Francis Frith — Osiride Pillars and Great Fallen Colossus
Maxime Du Camp — Gournah, Pérystyle du Tombeau d'Osymandias
Maxime Du Camp — Louqsor, Groupe de Colonnes dans le Palais;
Abdullah Frères (Turkish, 1858–1899) — Les cariatides du Ram
Francis Frith — Osiride Pillars and Great Fallen Colossus, a