Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The Virgin in this small engraving appears monumental against a contemporary view of Nuremberg castle. Although she looks regal, Dürer underscores her humanity by presenting her in this modern context and by adding commonplace household keys and a money purse at her waist. As she sits serenely, the Christ Child displays an apple to the viewer as a reminder of the past, specifically the Fall of man and his divine role in the redemption of humanity. The arrangement and introspective character of this engraving have been compared to Dürer’s Melencolia I . Both were finished in the same year as his mother’s death—a difficult time for the artist. As the third of 18 children, of which only three reached adulthood, Dürer witnessed the particular joys and heartache of motherhood.
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Albrecht Dürer — Madonna by the Wall
Albrecht Dürer — Virgin and Child Seated by the Wall (revers
Albrecht Dürer — Madonna by the Wall
Ventura Salimbeni — Madonna and Child with Saint Joseph
Albrecht Dürer — Virgin and Child Seated by the Wall
Albrecht Dürer — Madonna by the Tree
Monogrammist HF (German, active about 1527) — Virgin with a
Albrecht Altdorfer (German, c. 1480–1538) — The Virgin in a
Albrecht Dürer — Madonna with the Pear
Albrecht Dürer — Madonna with the Swaddled Infant
Hans Baldung Grien — Madonna and Child on a Grassy Bench
Albrecht Dürer — The Virgin Nursing the Child