Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Passionately engaged with music, Fantin-Latour began to explore musical themes in his art after he attended the first full production of Wagner’s Ring Cycle in 1876 in Bayreuth, Germany. Lithographs such as To Robert Schumann earned Fantin the reputation as "the artist who made music visible." To his admirers, Fantin did not merely illustrate operatic scenes, but "wrapped his soul in music . . . and with wondrous dexterity drew . . . the visions he heard."
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Henri Fantin-Latour — The Trojans at Carthage: Act III, Love
Henri Fantin-Latour — Frontispiece: Truth
Henri Fantin-Latour — Apotheosis
Anders Zorn — Miss Lurman
Henri Fantin-Latour — Semiramis
Brugnot|J. J. Grandville|Henri Fournier|Paul-Emile-Daurand F
George Bellows (American, 1882–1925) — Spring, Central Park
Sir John Everett Millais — Happy Springtime
James Thornhill — Moses and the Tables of Law
Félix-Stanislaus Jasinski — The Mirror of Venus
Henri Fantin-Latour — Siegfried: Act III, Evocation of Erda
Henri Fantin-Latour — The Mastersingers of Nuremberg, Act I: