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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Fantin' s composition is inspired by Victor Hugo's 1880 poem "Religions and Religion." In one long section of the poem, the poet listens to voices emanating from clouds that discuss the nature and history of man's religions. The drawing served as a maquette , or model, for an illustration in the collected works of Victor Hugo (1802-1885), which was published by the French government after the poet's death.
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Henri Fantin-Latour (French, 1836–1904) — Le Paradis et la P
Henri Fantin-Latour (French, 1836–1904) — Finale of the Rhin
Henri Fantin-Latour (French, 1836–1904) — À Eugene Delacroix
William Pitts — Scene with Classical Figures
Henri Fantin-Latour (French, 1836–1904) — The Fairy of the A
Henri Fantin-Latour (French, 1836–1904) — Sarah la Baigneuse
Pierre Paul Prud'hon — The Assumption of the Virgin
Henri Fantin-Latour (French, 1836–1904) — Debut from Paradis
Jean Honoré Fragonard — Allegory-Ingenius Love
Henri Fantin-Latour (French, 1836–1904) — Fairy of the Alps
Ovid|Abbé Banier|Chez Despilly|François Boucher|Augustin de
Henri Fantin-Latour (French, 1836–1904) — Music and Poetry