Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Using only black chalk heightened with white to convey flesh tones, François Lemoyne convincingly depicted the hero Hercules in full swing, fully embodied and activated, and positioned surprisingly like a baseball player at bat. One of two known studies for the figure in Lemoyne’s painting Hercules Clubbing Cacus, this sheet powerfully conveys the artist’s graphic skill. The painting illustrates the 10th labor of Hercules, in which the hero was commanded to bring the monster Geryon’s cattle back to Rome. After discovering that the giant Cacus stole several of the cattle, Hercules clubs him to death.
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Giacomo Zoboli — Double-sided Sheet of Figural Studies: (rec
Charles-Antoine Coypel — Sketch of a Male Nude Leaning on Ri
Jean Baptiste Carpeaux — Sketches of Two Satyrs
Jean Baptiste Camille Corot — Standing Male Nude
Annibale Carracci — Triton Sounding a Conch Shell
Anonymous, Spanish, School of Seville, 17th century — Life S
Unknown artist
possibly French or Italian — Academic Male Nu
Daniel Mytens, II — Male Nude Seen from Behind
Edgar Degas — Standing Nude Youth, with right arm raised
Alexandre Cabanel — Nude Male Figure with a Sword
Giuseppe Cesari — Study of a Standing Male Nude
Domenico Maggiotto — Male Nude Seen from the Back