Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Géricault's drawing of a man clutching the mane of a horse as they struggle together to stay afloat is a direct copy of a detail from one of Nicolas Poussin's (1594-1665) most celebrated paintings, The Deluge, or Winter (see photo). Small in scale but monumental in feeling, the sheet exemplifies the artist's "antique manner" of drawing, which he began to develop around 1815. This style, with its heavy contour lines and broad washes, developed in tandem with Géricault's renewed interest in copying works of art from the past, such as prints after ancient sculpture and works by Raphael (1483-1520), Michelangelo (1475-1564), and Poussin.
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François Verdier — Kneeling Woman
Anonymous, Spanish, School of Seville, 17th century — Two Do
Anonymous, Italian, 17th or 18th century|André Lebrun — Prop
Follower of Luca Cambiaso — Nymph and Satyr
Rembrandt van Rijn — The Good Samaritan
Anonymous, Italian, Roman-Bolognese, 17th century — Man Seat
Frederic, Lord Leighton|Romain Cazes — Study in Draperies
Salvator Rosa — Man Mounting Lion
Giovanni Battista Cipriani — Two Sketches: Nude Child, Woman
Rembrandt van Rijn — The Monk in the Cornfield
David Wilkie — Sketch from the Escurial
William Blake (British, 1757–1827) — Sketch for "The Thought