Possibly "Stimp" (active c. 1820) From the John Moseley House, Southbury, Connecticut
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The fireplace and hearth served as the center of eighteenth- and early-nineteenth-century American homes. In larger houses that had fireplaces in more than one room, they were often "dressed up" with paintings hung above the mantel and fireboards. The latter were especially common during the summer months, when they were utilized to beautify the gaping hole of the unused fireplace. This fireboard was painted right around 1820, when John Moseley completed the construction of a house on Main Street North in Southbury, Connecticut.
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William Morris — Flowerpot Fire Screen
Italy, Piemonte — Chasuble
Pierre Rousseau (French, 1751–1829) — Overdoor Painting
Jan Kamphuijsen — Januari met het teken van de waterman
Pierre Rousseau (French, 1751–1829) — Double-Leaf Doors
Pierre Rousseau (French, 1751–1829) — Double-Leaf Door
Pierre Rousseau (French, 1751–1829) — Double-Leaf Doors
Veret — Mise-en-carte (Point-paper)
England — Panel
Italy or France — Altar Frontal
Pierre Rousseau (French, 1751–1829) — Double-Leaf Doors
France, Paris — Wallpaper Fragment: "Depose au Tribunal de C