DISCOVERART

Aaron Martinet|Destouches|Honoré Daumier

Musical séances, always the same song!, from 'The spiritualists,' published in Le Charivari, November 8, 1865

November 8, 1865
Lithograph on newsprint; second state of two (Delteil)
22.7 × 20.3 cm (8.9 × 8 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.org ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Aaron Martinet|Destouches|Honoré Daumier

The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864The ravaged poets' corner, from 'In the pub,' published in LMon cheri ami, tu vois..., j'étais né pour être marquis..., from Les Comédiens de Société, published in Le Charivari, April 9, 1858Mon cheri ami, tu vois..., j'étais né pour être marquis..., S'en retournant plus vite..., from Actualités, published in Le Charivari, July 12, 1859S'en retournant plus vite..., from Actualités, published in Sir, so far there are only five people here..., from 'Theater sketches,' published in Le Charivari, April 3, 1864Sir, so far there are only five people here..., from 'TheateProposal for an improvement, from 'Exhibition sketches,' published in Le Charivari, May 24, 1864Proposal for an improvement, from 'Exhibition sketches,' pubWe are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864We are approaching mid-November when the weather starts gettDon't worry, I'll take good care of your case, I am from Normandy, just like you, from 'Types and features,' published in Le Charivari, June 21, 1864Don't worry, I'll take good care of your case, I am from NorI spoke continuously for three and a half hours, from 'Parisian sketches,' published in Le Charivari, December 2, 1865I spoke continuously for three and a half hours, from 'Paris

More like this

Triste contenance de la Sculpture placée au milieu de la Peinture, from Le Salon de 1857, published in "Le Charivari"Aaron Martinet|Honoré Daumier|Destouches — Triste contenanceThe front row spectators, from 'Theater sketches,' published in Le Charivari, April 9, 1864Aaron Martinet|Honoré Daumier|Destouches — The front row speIn front of Mr. Gustave Moreau's paintings, from 'Exhibition sketches,' published in Le Charivari, June 3, 1864Destouches|Aaron Martinet|Honoré Daumier — In front of Mr. GThe Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857Honoré-Victorin Daumier — The Displeasure of a Sculpture PlaThe decline of the drama in 1866, from 'Parisian habits,' published in Le Charivari, May 2, 1866Honoré Daumier|Arnaud de Vresse|Destouches — The decline of Souvenir du grand festival des orphéonistes, from Actualités, published in Le Charivari, March 28, 1859Honoré Daumier|Destouches|Aaron Martinet — Souvenir du grandA Sunday connoisseur, from 'At the Louvre,' published in Le Charivari, February 4, 1865Honoré Daumier — A Sunday connoisseur, from 'At the Louvre,'A new theater model, from 'Theater sketches,' published in Le Petit Journal pour Rire, January 30, 1864Honoré Daumier — A new theater model, from 'Theater sketchesThe mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864Destouches|Honoré Daumier|Aaron Martinet — The mother of theAn Orchestra in a Fashionable Residence; plate 8 from the series, Les Comédiens de Société, published in "Le Charivari"Honoré Daumier — An Orchestra in a Fashionable Residence; plThat's what I like about the sculpture room...., from 'Exhibition sketches,' published in Le Charivari, June 13, 1864Honoré Daumier|Destouches|Aaron Martinet — That's what I likLa Muse de la Brasserie, from 'A la Brasserie,' published in Le Charivari, January 21, 1864Honoré Daumier|Destouches|Aaron Martinet — La Muse de la Bra