Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This narrow panel and its companion belong to a suite known as The Grotesque Months , which depicts the 12 months of the year and their associated zodiac signs. A Roman deity, centrally positioned within a pergola, personifies each month. June , with the sign of Cancer—a crab—in the oval at the top of the tapestry, shows the messenger god Mercury. Above and below Mercury appear his associated attributes, including his emblematic rooster, and a miniature scene showing an episode from the tale of his sly betrayal and murder of the giant Argus. These tapestries are in the light, open style inspired by Renaissance artists’ rediscovery and reinterpretation of the Classical wall paintings found among the buried ruins of ancient buildings, called grotti, or caves. By the later 17th century, this so-called grotesque style appealed to an elite group of French aristocrats led by Louis, the Grand Dauphin (1682–1712), son and heir of Louis XIV (r. 1715–74).
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Circle of Giovanni Guerra — Design for Emblematic Frontispie
Madame la Marquise de Pompadour — Aurora
Jean -Siméon Rousseau de la Rottière|Jules-Hugues Rousseau —
Jacob Matham|Hendrick Goltzius — Jupiter, from "The Planets"
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Jacob Matham — Mercury, from The Seven Planets
Adriaen Collaert — Juno
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Adriaen Collaert — Venus
Simone Cantarini — Fortune standing with one foot on a globe
Adriaen Collaert — Mercury